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Giacomo Leonardis (1723-1797)

"Giacomo Leonardis (1723, Palmanova - 1797, Venice) an Italian engraver and etcher. He was born at Palmanova in the Venetian Republic. He was instructed by M. Benville and Tiepolo, and obtained the first prize at the Accademia di Belle Arti of Venice. He was skillful in preserving the character of the artist he represented. He etched several plates after Italian masters, including Giulio Carpioni, Sebastiano Conca, and Tintoretto.

Also he engraved Gerusalemme Liberata based on designs of Bernardo Castello used in the 1617 edition of the poem. There are 96 vignettes in the text and at the end of each canto engraved by Leonardis after Pietro Antonio Novelli. There is also a portrait of Tasso after Agostino Carracci, as well as an allegorical frontispiece. Both Novelli and Leonardis were influenced by Giambattista Tiepolo." - (Wikipedia (en) 12.06.2020)

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Beziehungen zu Objekten

Al crudo duol di Marsia, e del Re Mida L'Ardir s'abassi; il Stolto non decida [D[Kinderbacchanal; Spielende Liebesgötter; Jeux d'Amours]Steso al suol, di Lieo ricolmo il seno; Giace tra feste, e suoni il buon SilenoLieta sul Toro la Belle Europa stassi Ma presto il suo gioir cangiar vedrassi [DIl tridente ha Nettun, le briglie Teti: Questa regga i Destrier; Quei l'onde accTergono le bell'Arti il mesto pianto Se godono il favor di Regal Manto [Huldigun
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Der aufgerufene Akteur steht in Beziehung (links) zu Objekten, zu denen andere Akteure gleichzeitig in Beziehung (rechts) stehen.

Vorlagenerstellung Giacomo Leonardis (1723-1797)
Vorlagenerstellung / Geistige Schöpfung Giulio Carpioni (1613-1678)
Wurde abgebildet (Akteur) Midas [Phrygien, Sagengestalt]

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